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Every home tuned into the programme is now primed for supernatural attack. The parapsychologist realises that the BBC transmission has effectively provided the environment for a national séance. Glass breaks, clocks stop, and dogs start barking at the screen. In the studio more and more callers report strange events at their own homes, events that mirror what is happening in the house. The sense that something evil has penetrated the broadcast equipment and begun to transmit itself to homes across the UK is brilliantly done. The link between house and studio begins to deteriorate late in the show. What you hear can be far scarier than what you see and the makers of Ghostwatch play on this with great skill. The ghostly voices are creepy in the extreme, particularly the inhuman voice played back on the studio tape recorder. The occupants of the house are subjected to sudden bumps, crashes and, as more secrets of the house are revealed, the awful wailing of cats. Sound and video effects are put to excellent use. So what does work? The staggered revelations about the house and family's history are intriguing and eerie, as is the idea that the accumulation of evil over time in the house and the area has led to a manifestation of hateful malevolence. One simply can't believe that an institution such as he could be so openly cold and dismissive to the plight of the family, as he frequently is (he is particularly unsympathetic at the moment the older girl is found covered in scratches). Michael Parkinson is poor, but his part doesn't help.

Sarah Greene does very well for the most part, although once strange events begin to occur it is clear that she is acting scared rather than actually being scared. His performance is light and therefore he appears the most natural. Probably the most convincing member of the cast is Craig Charles.

As it is the actors are quite obviously adhering to a script and their attempts at looking genuinely astonished, scared, unnerved by the events are frequently wooden. One wishes that the script allowed for more spontaneity from the cast. It's true enough that some of the acting is poor, undermining the verisilimitude of the film. It will make you ask whether that really is the sound of the central heating pipes expanding, or contracting, or is it something else. It will make you wonder what that shape in the corner of your room really is, as you struggle to sleep after viewing the show. It will make you check things that you see from the corner of your eye again. It won't turn your stomach and it won't make you scream. The strange thing I realised was that despite the poor acting and the occasionally clichéd script, those people who said it retained its power to scare were absolutely right. People started to write about it again, reporting that it still had the power to chill. Then it came back, released on dvd by the BFI. Then Ghostwatch was buried and forgotten. I couldn't believe they were referring to the programme I had glimpsed. I remember the press reports over the following days. I was disappointed, indeed sufficiently so to change the channel and only occasionally dip back into the programme. The slightly improvisational interaction between the presenters was clearly a scripted attempt at improvisation. The parapsychologist was clearly an actress. The mother and eldest daughter were not convincing. Then I started to realise certain things. I remember phoning a friend to see if he was watching. The first university research footage of a poltergeist attack on the two girls made my blood run cold. I had missed the opening Screen One card and titles so what I sat down to I initially believed to be a real investigation into a haunted house. I recall seeing Ghostwatch on its first and only transmission. As events unfold live from the house an initially sceptical Michael Parkinson and an ever increasingly concerned parapsychologist begin to realise that the BBC is about to score a scoop far greater, and more dangerous, than they had bargained for. A BBC team are invited to Britain's most haunted house to investigate a malevolent presence terrorising the family that live there, in particular the eldest near-pubescent daughter. However that is not to detract from what is an original and innovative drama, and one that has retained its ability to scare. Considering some of the myths and stories that have been generated by the legendary Halloween 1992 showing of Ghostwatch some disappointment may be felt when actually viewing it long after it was to have its greatest impact.

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